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Please
Please Me - Stereo
The
Beatles first UK album released on 26th April 1963,
four weeks after the official mono release date of 22nd March.
Three
main variations exist; the 'Gold and Black' early presses,
the common 'Yellow and Black' 60s examples, and the 70s
until present-day 'Black and Silver' label. Of course,
there are multiple sub-variations of each type and in the following
article we hope to clearly describe with text and pictures each
known example. As this is a new endeavour, the BeatlesCollecting
team have only scanned in some of our collection so there are missing
photographs. These will be added when we get around to it, or in
some cases when we get hold of personal copies. Hopefully the descriptions
that accompany each variation will aid you in identifying which
ones you have.
If
you have a label or font variation - no matter how small - that
we haven't documented here, please contact us!
Credits:
Labels 7A and 7B courtesy of Simon Stretton
Label 8B courtesy of Yuri Zgirsky
| Stereo
1st Label, Variation A |
| This
is the first variation of the first pressing. The tracks I
Saw Her Standing There, Misery, Do You Want To Know A Secret
and There's A Place have the Dick James Mus.
Co. publishing credit. The Parlophone logo is in a
50s feel gold font, unlike the far more common canary yellow
seen on every other period Beatles album. These stereo 'Gold
and Black' copies were available only in the first few
weeks of release and bought by ardent Beatles fans. As such,
very few of these exist today in Excellent or higher condition.
It is thought only 800 stereo examples on the Gold and Black
labels exist but in our opinion it's likely there are a few
hundred more than that. Still, as these would have been bought
by eager Beatles fans, few remain in pristine condition so to
find a NM copy of this is not only extremely rare but also extremely
costly. |
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| Stereo
1st Label, Variation B |
|
As above,
but the Dick James credits have now been altered to read 'Northern
Songs' instead. This change occurred soon after production began as the typesetter for the credits wasn't informed that the
Beatles had worked with Dick James to set up their own, new,
'Northern Songs' publishing company for Lennon and
McCartney's original songs. These copies are rarer than the
first variation but prices don't tend to reflect this - any
copy of this LP on the Gold and Black label is highly desirable,
particularly in stereo.
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| Stereo
1st Label, Crossovers |
| As with the mono 1st pressing, the
transition between the Dick James and the Northern Songs copies
did not run smoothly and some labels were mismatched. Some
side 1 labels had Dick James credits whilst the side 2 labels
had Northern Songs, and vice versa. These aren't variations as such, moreso label errors so they're not included here but will be in the musuem galleries of error presses and mislabelings.
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| Stereo
2nd Label |
The
first appearance of the famous Yellow and Black Parlophone label.
The distinguishing mark on this label is the presence of a small
33 1/3 next to the matrix number towards the left hand side
of the label.
This variation appeared only for an extremely limited run. We have seen less of this
variation in stereo than either of the Gold and Blacks. We at
BC would pretty confidently argue this to be the rarest variation
of "Please Please Me". |
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| Stereo
3rd Label |
The
change for this label was the removal of the small 33 1/3 logo
above the matrix number toward the left hand side of the label.
The reason for this logo appearing on the Black and Gold copies
was, obviously, to denote the speed at which the disc should
be played. But on the new Yellow and Black label design, a much
larger 33 1/3 logo appears above the "PARL" of the
"Parlophone" text logo. As such, the smaller logo
was deemed unnecessary and removed from this 3rd pressing onwards.
Also of
note is the difference between the 3rd label stereo and 3rd
mono labels on the side one tracklist - the stereo version
has the last four lines, starting from the "(Ardmore" credit for Boys slightly pushed to the side, resulting in
a difference in line layout most notable by the the final
line layout starting with "Lennon)" as opposed to
just "(Dick James Mus. Co.)" as on all other early
copies such as the equivalent mono press. This was changed
back to the usual layout design on all other 60s pressings.
Similarly side 2 has track 7, Twist and Shout, pushed a little
further along the line than on all other pressings.
No reason
is known for these changes only appearing on the stereo 3rd
label and not the mono 3rd. Only the Gold and Black label
design has this same layout, so it appears the older design
was used for this variation alone before reverting to the 2nd
label layout on all subsequent issues. Although we don't know
why the mono 3rd labels don't exhibit the same layout
design difference, it would seem this stereo one was regarded
as a mistake as it wasn't used again.
If anyone
has a mono version exhibiting this stereo tracklist layout (or a stereo
3rd that doesn't) please contact us. There is argument over whether this 3rd label is actually a "label" in our sense of the word, as it could be a variant of the 2nd label. For now it will remain as the 3rd as this will keep it in line with the Record Collectors' Price Guide listings (even though there are slight differences to ours) and also to not confuse common knowledge.
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| Stereo
4th Label |
| Commonly
referred to as the "standard pressing" of this LP,
the label design was in use for around a year or more during which the
vast majority of sales occurred. This variation is characterised
by the addition of 'Recording First Published 1963'
below the matrix number toward the left of the label. Despite
the 'standard' tag of this LP, in stereo it is quite
collectible and a NM copy would fetch a hefty sum.
As
described in the 3rd label stereo, the tracklist layout has
now reverted back to the 2nd label design. |
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| Stereo
5th Label - Variation A |
| Dating from February 1964 at the earliest, this copy is identical
to the fourth label except for the addition of the "Sold
In UK Subject to Resale Price Conditions..." blurb above the
spindle hole, below the Parlophone text logo. This variation
is from between February 1964 and very early 1965. |
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| Stereo
5th Label - Variation B |
This
variation is similar to variation A except for the layout
of the tracklisting and the slightly reduced thickness of the
font. This is an interesting example as the text layout doesn't
relate to a 5A copy or the subsequent 6th label. We have
placed it chronologically after the 5th-A largley due to the
change in size and font of the audio format text "STEREO"
toward the upper right of the label bearing similarity to the
sixth label moreso than the 4th. Also the fontface bears
more resemblance to the 6th label than the 4th. Why the tracklist
layout was changed here and not adopted for the 6th and later
issues is unknown but the font thickness was kept for subsequent
labels.
Of note, the paper used on the labels now has a different consistency and is more smooth than the slightly rough paper used on the older labels, in particular 5A which still used the older rough textured paper. |
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| Stereo 5th Label - Variation C |
| This variation bridges the gap between the 5th and 6th labels. It has "The Parlophone Co." rimtext but exhibits a tracklist layout identical to that of the 6th label. This variant has only been spotted once or twice and so we presume it to have appeared quite late in the 5th era, probably appearing just before the 6th's appeared in mid-1965. |
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| Stereo
6th Label - Variation A |
Common between 1965 until 1969, this label is characteristically
marked by the appearance of the rimtext beginning with "The
Gramophone Co. Ltd..." instead of "The Parlophone
Co. Ltd...". The text "Recording First Published 1963"
has now been replaced with a " 1963" logo. Tracklist
layout differs on both sides to preceding variations, with the
major difference in this area being the absence of brackets
around the publishing credits for each song. The album title
text is also now a little larger than on previous copies.
The tracklist layout has
changed slightly on side 2 most notably by Twist and Shout now not appearing at the far left of the second from bottom
line. As the basic 6th label design was in use for around four
years it is likely there are some other minor variations during
this period. Originally we believed that a side 2 layout that looked like
the earlier 5th labels was likely to exist, but now that 5C has appeared we doubt this now.
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| Stereo
6th Label - Variation B |
| The
minor difference on this label is the appearance of an extra
period mark in the SIUK text after "IN.U.K.". While
this is a miniscule difference on a label that is otherwise
identical to the 6A pressing, it's appearance on both mono
and stereo pressings could indicate a problem with the underlying layer of the label printing which included the SIUK text so it perhaps also exists on other albums including non-Beatles of the time. This could help date it more precisely if other examples are found. |
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| Stereo
6th Label - Variation C |
This variation also has "Gramophone" in the rimtext, the date and "Sold in UK", but the layout is a little different with the tracklist / credits more spaced apart from each other vertically. We believe this variation to have been produced around early 1969 as this layout style has appeared on "Sold In UK" copies, no "Sold In UK" and even some one-box copies, which you can see further down this page. It would seem likely that this style was produced simultaneously with the more usual layout as the two forms are possible on all three of the above mentioned label styles. |
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| Stereo
7th Label - Variation A |
This
variation is similar to the 6D variant with the vertically spaced tracklist, but lacks the "Sold
In UK Subject to Resale Price Conditions" text above the
spindle hole. It appeared during Summer 1969 just before EMI
decided to switch the Parlophone label to a completely new design.
As such it's quite rare to find one, especially so for an early
album such as Please Please Me as not many people would have
been interested in this LP when The White Album and Abbey Road
were on the market. A rare variation of which we've only seen
a handful. |
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| Stereo 7th Label - Variation B |
Here the tracklist is spaced as we more commonly see it. This is the more common variant of the 7th label. All other details are the same as for 7A. |
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| Stereo
8th Label, Variation A |
| Here
is the appearance of the 'Black and Silver' label
design. This particular variation arrived in late 1969 and stayed
until late 1970. The distinguishing mark that clearly dates it
as an early Black and Silver is only one EMI boxed logo at the
bottom of each side of the label. Also of note is the rimtext
now runs around the top of the label rather than around the
bottom. All later examples up to the present day have two EMI
boxed logos, the second one appearing at the top of the label.
This copy is commonly referred to as a "1969 one box"
and the collection of any of these stereo discs of the Beatles'
Parlophone output is fairly desirable as they used heavy, quality
vinyl and generally early matrices. After this era of pressing the audio
quality tends to drop considerably, moreso during the mid 70s
to 80s, which is why this pressing has commonly been collected
as a 'play-copy' as traditionally it was far cheaper to buy
than earlier examples. Over the past year or so this seems to
have changed and NM one-box copies are rising in value. |
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| Stereo 8th Label, Variation B |
| The layout of the tracklisting has altered quite substantially here on both sides. I'm not aware of this particular style existing on any other "Please Please Me" label. |
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| Stereo
9th Label |
| In
late 1970 a second EMI logo was added to the label at the top. This
is known as the 'Two Box EMI' type label. On this version the
rimtext continued to start with 'The Gramophone Co.
Ltd...' |
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| Stereo
10th Label |
| In
late 1973 the label was slightly altered so that the rimtext now
started with 'EMI Records...' Also of note is 'Made in Gt. Britain' has now been removed from the bottom of the label and has been added to the end of the rimtext. |
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| Stereo
11th Label |
In
1979 the rimtext was again slightly altered so that it started
with 'All rights of the producer...'. Importantly, around the 11 'o' clock position in the rimtext the wording is:
Unauthorised public performance broadcasting copying and hiring...
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| Stereo
12th Label |
In
1982 the rimtext was again slightly altered, still starting
with 'All rights of the producer...' Importantly, around the 11 'o' clock position in the rimtext the wording now reads:
Unauthorised copying, hiring, renting, public performance and broadcasting...
This
was the last variation of the LP before EMI stopped production
of the stereo version of "Please Please Me" to make the album
only available in mono for both vinyl and CD.
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