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Please Please Me - Stereo
The Beatles first UK album released on 26th April 1963,
four weeks after the official mono release date of 22nd March.

Three main variations exist; the 'Gold and Black' early presses, the common 'Yellow and Black' 60s examples, and the 70s until present-day 'Black and Silver' label. Of course, there are multiple sub-variations of each type and in the following article we hope to clearly describe with text and pictures each known example. As this is a new endeavour, the BeatlesCollecting team have only scanned in some of our collection so there are missing photographs. These will be added when we get around to it, or in some cases when we get hold of personal copies. Hopefully the descriptions that accompany each variation will aid you in identifying which ones you have.

If you have a label or font variation - no matter how small - that we haven't documented here, please contact us!

Credits:
Labels 7A and 7B courtesy of
Simon Stretton
Label 8B courtesy of Yuri Zgirsky


Stereo 1st Label, Variation A
This is the first variation of the first pressing. The tracks I Saw Her Standing There, Misery, Do You Want To Know A Secret and There's A Place have the Dick James Mus. Co. publishing credit. The Parlophone logo is in a 50s feel gold font, unlike the far more common canary yellow seen on every other period Beatles album. These stereo 'Gold and Black' copies were available only in the first few weeks of release and bought by ardent Beatles fans. As such, very few of these exist today in Excellent or higher condition. It is thought only 800 stereo examples on the Gold and Black labels exist but in our opinion it's likely there are a few hundred more than that. Still, as these would have been bought by eager Beatles fans, few remain in pristine condition so to find a NM copy of this is not only extremely rare but also extremely costly.
 
 
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Stereo 1st Label, Variation B
As above, but the Dick James credits have now been altered to read 'Northern Songs' instead. This change occurred soon after production began as the typesetter for the credits wasn't informed that the Beatles had worked with Dick James to set up their own, new, 'Northern Songs' publishing company for Lennon and McCartney's original songs. These copies are rarer than the first variation but prices don't tend to reflect this - any copy of this LP on the Gold and Black label is highly desirable, particularly in stereo.

 
 
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Stereo 1st Label, Crossovers
As with the mono 1st pressing, the transition between the Dick James and the Northern Songs copies did not run smoothly and some labels were mismatched. Some side 1 labels had Dick James credits whilst the side 2 labels had Northern Songs, and vice versa. These aren't variations as such, moreso label errors so they're not included here but will be in the musuem galleries of error presses and mislabelings.


Stereo 2nd Label
The first appearance of the famous Yellow and Black Parlophone label. The distinguishing mark on this label is the presence of a small 33 1/3 next to the matrix number towards the left hand side of the label.
This variation appeared only for an extremely limited run. We have seen less of this variation in stereo than either of the Gold and Blacks. We at BC would pretty confidently argue this to be the rarest variation of "Please Please Me".
 
 
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Stereo 3rd Label

The change for this label was the removal of the small 33 1/3 logo above the matrix number toward the left hand side of the label. The reason for this logo appearing on the Black and Gold copies was, obviously, to denote the speed at which the disc should be played. But on the new Yellow and Black label design, a much larger 33 1/3 logo appears above the "PARL" of the "Parlophone" text logo. As such, the smaller logo was deemed unnecessary and removed from this 3rd pressing onwards.

Also of note is the difference between the 3rd label stereo and 3rd mono labels on the side one tracklist - the stereo version has the last four lines, starting from the "(Ardmore" credit for Boys slightly pushed to the side, resulting in a difference in line layout most notable by the the final line layout starting with "Lennon)" as opposed to just "(Dick James Mus. Co.)" as on all other early copies such as the equivalent mono press. This was changed back to the usual layout design on all other 60s pressings. Similarly side 2 has track 7, Twist and Shout, pushed a little further along the line than on all other pressings.

No reason is known for these changes only appearing on the stereo 3rd label and not the mono 3rd. Only the Gold and Black label design has this same layout, so it appears the older design was used for this variation alone before reverting to the 2nd label layout on all subsequent issues. Although we don't know why the mono 3rd labels don't exhibit the same layout design difference, it would seem this stereo one was regarded as a mistake as it wasn't used again.

If anyone has a mono version exhibiting this stereo tracklist layout (or a stereo 3rd that doesn't) please contact us. There is argument over whether this 3rd label is actually a "label" in our sense of the word, as it could be a variant of the 2nd label. For now it will remain as the 3rd as this will keep it in line with the Record Collectors' Price Guide listings (even though there are slight differences to ours) and also to not confuse common knowledge.

 
 
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Stereo 4th Label
Commonly referred to as the "standard pressing" of this LP, the label design was in use for around a year or more during which the vast majority of sales occurred. This variation is characterised by the addition of 'Recording First Published 1963' below the matrix number toward the left of the label. Despite the 'standard' tag of this LP, in stereo it is quite collectible and a NM copy would fetch a hefty sum.

As described in the 3rd label stereo, the tracklist layout has now reverted back to the 2nd label design.

 
 
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Stereo 5th Label - Variation A
Dating from February 1964 at the earliest, this copy is identical to the fourth label except for the addition of the "Sold In UK Subject to Resale Price Conditions..." blurb above the spindle hole, below the Parlophone text logo. This variation is from between February 1964 and very early 1965.
 
 
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Stereo 5th Label - Variation B
This variation is similar to variation A except for the layout of the tracklisting and the slightly reduced thickness of the font. This is an interesting example as the text layout doesn't relate to a 5A copy or the subsequent 6th label. We have placed it chronologically after the 5th-A largley due to the change in size and font of the audio format text "STEREO" toward the upper right of the label bearing similarity to the sixth label moreso than the 4th. Also the fontface bears more resemblance to the 6th label than the 4th. Why the tracklist layout was changed here and not adopted for the 6th and later issues is unknown but the font thickness was kept for subsequent labels.
Of note, the paper used on the labels now has a different consistency and is more smooth than the slightly rough paper used on the older labels, in particular 5A which still used the older rough textured paper.
 
 
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Stereo 5th Label - Variation C
This variation bridges the gap between the 5th and 6th labels. It has "The Parlophone Co." rimtext but exhibits a tracklist layout identical to that of the 6th label. This variant has only been spotted once or twice and so we presume it to have appeared quite late in the 5th era, probably appearing just before the 6th's appeared in mid-1965.
 
 
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Stereo 6th Label - Variation A
Common between 1965 until 1969, this label is characteristically marked by the appearance of the rimtext beginning with "The Gramophone Co. Ltd..." instead of "The Parlophone Co. Ltd...". The text "Recording First Published 1963" has now been replaced with a " 1963" logo. Tracklist layout differs on both sides to preceding variations, with the major difference in this area being the absence of brackets around the publishing credits for each song. The album title text is also now a little larger than on previous copies.

The tracklist layout has changed slightly on side 2 most notably by Twist and Shout now not appearing at the far left of the second from bottom line. As the basic 6th label design was in use for around four years it is likely there are some other minor variations during this period. Originally we believed that a side 2 layout that looked like the earlier 5th labels was likely to exist, but now that 5C has appeared we doubt this now.

 
 
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Stereo 6th Label - Variation B
The minor difference on this label is the appearance of an extra period mark in the SIUK text after "IN.U.K.". While this is a miniscule difference on a label that is otherwise identical to the 6A pressing, it's appearance on both mono and stereo pressings could indicate a problem with the underlying layer of the label printing which included the SIUK text so it perhaps also exists on other albums including non-Beatles of the time. This could help date it more precisely if other examples are found.
 
 
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Stereo 6th Label - Variation C
This variation also has "Gramophone" in the rimtext, the date and "Sold in UK", but the layout is a little different with the tracklist / credits more spaced apart from each other vertically. We believe this variation to have been produced around early 1969 as this layout style has appeared on "Sold In UK" copies, no "Sold In UK" and even some one-box copies, which you can see further down this page. It would seem likely that this style was produced simultaneously with the more usual layout as the two forms are possible on all three of the above mentioned label styles.
 
 
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Stereo 7th Label - Variation A

This variation is similar to the 6D variant with the vertically spaced tracklist, but lacks the "Sold In UK Subject to Resale Price Conditions" text above the spindle hole. It appeared during Summer 1969 just before EMI decided to switch the Parlophone label to a completely new design. As such it's quite rare to find one, especially so for an early album such as Please Please Me as not many people would have been interested in this LP when The White Album and Abbey Road were on the market. A rare variation of which we've only seen a handful.

 
 
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Stereo 7th Label - Variation B

Here the tracklist is spaced as we more commonly see it. This is the more common variant of the 7th label. All other details are the same as for 7A.

 
 
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Stereo 8th Label, Variation A
Here is the appearance of the 'Black and Silver' label design. This particular variation arrived in late 1969 and stayed until late 1970. The distinguishing mark that clearly dates it as an early Black and Silver is only one EMI boxed logo at the bottom of each side of the label. Also of note is the rimtext now runs around the top of the label rather than around the bottom. All later examples up to the present day have two EMI boxed logos, the second one appearing at the top of the label. This copy is commonly referred to as a "1969 one box" and the collection of any of these stereo discs of the Beatles' Parlophone output is fairly desirable as they used heavy, quality vinyl and generally early matrices. After this era of pressing the audio quality tends to drop considerably, moreso during the mid 70s to 80s, which is why this pressing has commonly been collected as a 'play-copy' as traditionally it was far cheaper to buy than earlier examples. Over the past year or so this seems to have changed and NM one-box copies are rising in value.
 
 
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Stereo 8th Label, Variation B
The layout of the tracklisting has altered quite substantially here on both sides. I'm not aware of this particular style existing on any other "Please Please Me" label.
 
 
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Stereo 9th Label
In late 1970 a second EMI logo was added to the label at the top. This is known as the 'Two Box EMI' type label. On this version the rimtext continued to start with 'The Gramophone Co. Ltd...'
 
 
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Stereo 10th Label
In late 1973 the label was slightly altered so that the rimtext now started with 'EMI Records...' Also of note is 'Made in Gt. Britain' has now been removed from the bottom of the label and has been added to the end of the rimtext.
 
 
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Stereo 11th Label

In 1979 the rimtext was again slightly altered so that it started with 'All rights of the producer...'. Importantly, around the 11 'o' clock position in the rimtext the wording is:

Unauthorised public performance broadcasting copying and hiring...

 
 
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Stereo 12th Label

In 1982 the rimtext was again slightly altered, still starting with 'All rights of the producer...' Importantly, around the 11 'o' clock position in the rimtext the wording now reads:

Unauthorised copying, hiring, renting, public performance and broadcasting...

This was the last variation of the LP before EMI stopped production of the stereo version of "Please Please Me" to make the album only available in mono for both vinyl and CD.

 
 
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